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2002
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Party
Victor, Junior and Abel: New York's Pride
New York City
by Mark Thompson & Robert Doyle
June 29, 2002
 
www.nycpride.org Bookmark and Share

Every year we get psyched for Pride -- and every year when it's over, we think, Twelve more months before we do it again? So the best thing to do is relive it, reprise it, replay it all again. Here's how it went for us.

Friday night: The Cockettes. The movie. A swell documentary about the San Francisco troupe which fell flat on their faces when they arrived in New York. A perfect reminder of how crazy people were in the late Sixties, and the perfect push to remind us all how to celebrate who we are now.

Saturday: Yoga -- to loosen up. Then Victor at two a.m. Unlike last year, there was no line out in front of the Hammerstein. Glad they took care of that little prob. Instead, they channelled us up to the second floor (rather than the fourth floor) where we looked down on the crowd. Green lasers. Blue and black. Silver. Is that Victor in the booth? Are we staring at the right person? Are our masks too tight, inhibiting blood flow? About half the crowd was wearing masks, some elaborate, some the basic black eye/nose thingie. Already masks were underfoot. We started to count them. We stopped when we got to eleven. Oh, yeah, it is Victor. We knew that. Danced for a while. Air flow was excellent. Smiles from people, smiles at my mask. It's not that big a deal, but it's nice to get the looks. The crowd seems behaved. Happy to be there. The start of the weekend. Glad they bought the ticket. Happy to be on Victor's ride. He's smooth, and sexy. He's hypnotic. He moves you without you thinking about it. You just sink into what he's giving you; you go with his flow. We wander downstairs. Empty our bladders. Sit in the lounge, dish with some friends. Bf looks around and says, "Everyone's holding back." No messes as of yet. Back upstairs. Dance on the balcony, just above Victor. His vibe coming up beneath our feet. We didn't plan on dancing there; it just happens. And behind us, against the wall, a very cute black/white couple getting it on. No restraint. Go for it, kids. Later, we ditch the masks. Bf tosses his in the garbage. The freedom to dance without something across your face. And, incidentally, where was Victor's mask? Then curtain rises, orchestra is there. Crowd cheers, Lamya sings. "Bring me men." It works for me. I love the image. Her banging those drums. That hair out to here. The orchestra accompanying. It's the first I've heard the song. I want to hear Victor's mix. I can almost hear it already. Crowd cheers when the orchestra ends. Loud cheers, but maybe not as loud as what we think we remember from last year. Maybe it's not possible for the impact to be as great as it was last year. How could it be, once you've seen it before? Who cares, though, about last year, when it's this year now? We dance until we're ready to leave. Grapes on the way out. Fresh, seedless red grapes. Just what we need. It's six-forty-one a.m. by the clock. Home to bed for....

Sunday: The Parade. We get to 28th Street just before two p.m. The moment of silence. We think about the ones who should be standing nearby. We cheer. We wave. We walk hand-in-hand, down Fifth Avenue. Along the sidewalk, holding hands. Sneakng kisses. On a Sunday in June in New York City. Isn't that the best? Who wouldn't love a day like this? We watch those marching in the street. I get lumps in the throat when I see a guy in a truck on the verge of tears. He's staring at all the people, cheering him on. It's a little thing, but a big thing too. The floats. Candis Cayne as Wonder Woman. The XL bartenders, flirting with message cards. Lots of swag: lube and plastic handcuffs and strings of pearls and cheerleader pompoms. Our pockets jammed, we walk Christopher, and eat at Good, happy to sit for a while before heading to the Pier.

The Pier. It is what it is. It's never been about dancing, not for us. Dancing on macadam doesn't do it for my feet. Still, it's Junior, so we wanted to testify. Recognize. Whatever. It's so packed, though. Way too packed, maybe. We have to wait to find a spot on the fence to lean against. We wave to the Sea Queens. We dance under the stage, just because it's "Rapture." Then we head for the bleachers, dance on the top row. Aluminum gives more than macadam. Junior's playing day songs. It's more about the day itself. Not what you'd want to hear when you hear Junior at Earth. Then it's dark. Then it's Kevin on the stage. Two girls behind us groan, "Not her again." We cheer as loud as we can. Yeah, it's him/her again. And why not? It's Pride Day, and Junior has a family, and it's his time to show them off. So the same with Kristine W. We cheer for her (though maybe we liked her better at White Party two years ago). The fireworks. We watch from the West Side highway. Pier 54 looks like the Land of Lost Boys or the fairground where Pinocchio goes.
 
Alegria: We hold back until two a.m., we muster up all our last bits of energy. We want to be primed. And as soon as we enter, without a line, with pleasant employees, we're hit by a blast of energy. Off and running. The place is packed, shirtless everywhere. Abel's beat from below. It never stops; it's so consistent. It's so propulsive. We haven't heard him since Winterparty in February. We can't wait to get down there -- but wait, oh, my God, the heat. The water rolling off the boys. We can't go down there yet. It's a
sauna, a steamroom, the desert, the bowels of hell. So upstairs to dance on the fourth floor. But no, it's not the same. It's fine, but it's not Abel, and that's why we there. So we collect our wits and head down, and there's a space over by the stage, off to the right, and if it's not cool, then it's not as bad as we thought. And Abel's beat takes us there and we dance. That's why we're there.

The whole place is red and yellow, circus colors, and harlequins and acrobats and cotton candy and popcorn, and those two guys come on (is that Adam Killian?) and do their thing, and they're doing it in even less space than they did last year at Caligula and you have to marvel at their body control. The crowd laps it up and the party is everything it should be for the end of the weekend. It's high-energy, very high-energy. No holding back anymore. All systems go. The boys are pumped.

And some too much. Over where we are, there's one that's falling out. Falling down. And another picks him up and dances with him, holds him close, the way you would a straw dummy, or the scarecrow, and it's clear that something's not right, and it doesn't look good, and the bunch of us are wondering, is enough being done, and then the two disappear, and for a while, I wonder if he's all right, and truthfully, it's a bit of a buzz kill because I don't want to worry about someone else, and yet, how can I not? And then there's another who sips from the same bottle, and a look comes over his face, and in another three minutes, he's gripping the stage railing, and then sliding down, and from there, some people take him to the banquette and lay him down, and for a while, I see a crowd there, and after a long while, when we're ready for a break, we head back upstairs, and he's still there, shaking and quivering, flat on his back.

And then, there's another, being led out by security. His eyes wild as he looks over his shoulder.

Frankly, these are not the images I want replayed in my head when I think about this party. So we're back upstairs. We're resting; we're talking it out. What's the point of such excess? Why?

And later, back on the floor, dancing again, there he is, the first one we saw fall out. But now he's smiling and happy. Huggy and kissy. And he even pinches me as we stroll by. And I smile, but I want to say, "What's wrong with you? Why did you put us all through that hell?"

These are exceptions, however. The party was not, in my opinion, a mass of falling out. It was, as it has been with other Alegria parties, a well-orchestrated affair. The management and the producers and the deejays at this party seem to work together as a team. They give those of us who love the music and the dance what we want. I loved what Abel was doing; I loved the beat I locked into; I loved being at this party and celebrating Pride with so many good people. We were there until seven a.m.

And I'm glad to know that Junior turned it out too. And that Susan gave it up. It's great to know that all around this city, people were celebrating with Pride.

Can't wait for next year, but that's always the way.
 

 
 
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