As
someone said, we need to write a book. Or maybe it’s a
reality show that we need to showcase the characters. Or a
graphic novel in Japanese animé. Some form that might do
justice to all the creatures of the day and night who wander
in off the streets to play with Junior on his birthday.
Good thing the party had
been shifted from Spirit to Pacha. Apparently the NYPD had
yet to work its way uptown from Chelsea, what with Spirit
closed for the weekend, and a rumor about Crobar, which
maybe explained the high percentage of straight people in
attendance early in the morning— Meanwhile, Roxy worked it
with Offer, and so once eight a.m. rolled around, so did the
hordes of boyz.
Decorated to the max,
over-the-top and over-done, that’s what Jerome said about
the room, and once we get upstairs, we’re looking around,
but it’s so dark and hard to tell. Chiffon jellyfish, we
see – and one in front of Junior which we wonder if it’s a
metaphor. And huge beach parasols, with fringe and
frou-frou – but it’s not until the lights come up that we
get a chance to see the fruits of Jerome’s labors: a bunch
of fifth-graders on acid running around with scissors and
glue guns. We loved it – and especially thinking about that
bunch having such fun decorating that room.
It’s eight a.m., and while
we run into Matt K. right away, and then also Michael
Circuit Dancer, it seems, for the first few minutes anyway,
that we might be outnumbered. Not that we mind – the real
girls are turning it out with bags and booties and white
leather skirts. The straights really care how they look in
a club – for them it’s so much more than just the right pair
of jeans and a pair of pecs.
And Junior’s making them
work. We’re watching from above the floor. People still
getting situated. Finding their way in. Junior’s playing a
mash-up of classics. Bits and pieces we recognize. And
then it’s “Ain’t No Other Man” and the kids go
representing. They been waiting for this one. And it
reminds us of seeing those paper fans from Junior’s Pride
Party – before we knew Xtina’s song and when we thought
“ain’t no other man” was a reference to The Man Himself –
Mr. Birthday Boy.
And then we spot Joe Caro,
so we follow him in, right on his tail, and then position
ourselves at a little distance so that when he turns
around— Of course he’s been to Roxy and “everyone was there
except for you two.” Duh. And he’s got such the story
about security at Pacha, for which he had to give up his
flashlight. But maybe he made out, after all. And there’s
Alan and Joey, who, like us, haven’t been out since Pride,
and being surrounded again, by faces and people you know,
and having Junior play his music, so you can dance on a
rainy Sunday morning, you think again, “Well, duh, this is
why we do this – it’s SO MUCH FUN!!!”
And for the first time, we
FINALLY meet Adam, who flew down from Boston, which if that
isn’t Junior devotion, what is – and we also heard about
people driving up from D.C. and so no wonder the floor is
packed now, but in the best way – so there’s still room to
dance, to do more than sway back-and-forth. To werk it out
to what Junior’s doing. And what he’s doing is werking all
the hotties around us. There’s something about Junior’s
crowd, something almost defying demographics – they’re all
over the board, a veritable United Nations of Nightcrawlers.
And such a buncha hottie boyz. They probably weren’t even
born when Junior first played SoundFactory (the original).
And then Joe Caro’s off on
an errand. He can’t stand being without his flashlight –
which he traded for a pocketful of— miracles. Well,
whatever. What goes around comes around and good thing for
Adam. And so Joe’s off to Circuit City – no, wait, Jersey
City, because that’s where there’s a WalMart, or something
like that. Did we just hear that correctly? Joe Caro’s
leaving the party to get on a PATH train to head to Jersey
to buy a flashlight? Wait a minute. Someone needs to write
a book.
And Alan and Joey
introduce us to the very sweet Glenn Aco (Glen Echo? Are we
hearing things?), and also to Alan’s “spiritual” advisor,
Steve, who taught Alan everything he knows, or almost,
anyway, or maybe not, and also Ian, whom Joey and Alan
introduced to each other that one year out at FIP and
they’ve been together ever since, and also, finally, we meet
Dirty Sue, aka Joey – and see how it is that all our lives
are a series of concentric circles? Someone needs to write—
And now Junior’s throwing
down Ms. Cox’s “Who Do You Love?” which takes us back to
Arena, and also Earth/Exit, when Ms. Cox opened that party
with a posse of hottie dancers – and now there are fishies
and mermen, real ones, hanging from the rafters and along
the columns, and maybe that’s a gold-lamed catfish –
Junior’s current stable of dancing fish. We see them later
in the dressing room – THEY’RE ALL SO LITTLE. Tiny little
darting dancing fishboyz. Where do they get all that
energy?
And maybe we hear a record
bump once, but maybe we don’t because right away, Junior
bumps it again, so we don’t know for sure, and it makes us
think about how he said something recently in some article,
about why he prefers vinyl, because it lets him “have a
second thought.” Which is all about being in the moment –
and figuring how what’s right right then.
And there’s Jonny McGovern
with his posse of sixty. Or at least sixteen. They know
all the words. We’re singing “Your Child” like it was
yesterday all over again. And Mother Juan Aviance too,
she’s kikiing along the bar. And even Darrell’s come in
from the door and they’ve sealed off the upstairs – and
outside it’s raining, or more like pouring, and it’s Sunday,
and now we’re one big school of fishies swimming happily in
Junior’s Aquarium.
Some birthdays are good
and some are better – and this one fit us perfectly. Just
what we wanted, just what we needed: that family that we’re
all a part of, which is mostly New York, and mostly gay, and
held together by Junior and his love of music. When he’s
on, we’re on – and that’s how it was yesterday. Best wishes
to all of us – it’s so nice to swim together.